KONICA IMPRESA 50 PROF. ISO 50/18° Grain: RMS 4 RP: 130/80 lpm ID: Impresa 50 A professional film that delivers superb image quality and accurate color reproduction, even with difficult-to-reproduce colors such as wine red, burgundy, sapphire blue, ultramarine and lavender, Impresa 50 is ideal for commercial and studio photographers. It quickly became a big hit with pro shooters when introduced in Japan. Contrast, sharpness and graininess are excellent. AGFACOLOR VISTA 100 ISO 100/21° Grain: RMS 4 RP: 130/60 lpm ID: Vista 100 Improving on its fine HDC Plus print films, Agfa made the response of the new Vista films more like that of the human eye through its Eye Vision Technology, which improved the three color layers rather than adding a fourth layer. The results is even better color reproduction, especially blues and greens and under fluorescent lighting. Improvements have also been made in grain and sharpness. AGFACOLOR OPTIMA II PRESTIGE 100 ISO 100/22° Grain: Not stated RP: Not stated ID: Optima II 100 Agfacolor Optima II 100 is a pro film offering flat, thin SEM (Surface Enhanced Multistructured) crystals for greater sensitivity with finer grain, and thinner (and thus sharper) emulsions. New dye couplers result in excellent color fidelity and greater stability. Super Inter-Image Effects yield more color saturation in the dark areas of the image, while gray balance is neutral from shadows through highlights. FERRANIA SOLARIS FG100 ISO 100/21° Grain: RMS 3.5 RP: Not stated ID: FG100 Successor to Imation's line of HP films, the Ferrania Imaging Technologies Solaris FG films offer improvements in all areas including enhanced emulsion stability, optimized spectral sensitivity and new patented silver-halide crystal formation technology yielding faster speeds, finer grain and sharper pictures. FG100 is a high-resolution, high-color fidelity fine-grain film with great depth, saturation and detail. aFUJICOLOR SUPERIA REALA ISO 100/21° Grain: RMS 4 RP: 125/63 lpm ID: CS Improved technologies make Fuji's premium realistic-color consumer print film, with its added cyan-sensitive layer that provides the film with a response to light similar to that of human vision, even better. Color reproduction is extremely accurate, and reproduction in fluorescent-illuminated shots is the best we've seen. Grain and sharpness are among the best in its speed class. FUJICOLOR SUPERIA 100 ISO 100/21° Grain: RMS 4 RP: 125/63 lpm ID: CN Utilizing Fuji's New Reala Technology, Fujicolor Superia 100 incorporates a fourth emulsion layer for exceptionally realistic colors, even under fluorescent lighting. Optimized spectral sensitization provides more faithful rendering of red and purple, while two-stage timing DIR couplers generate additional color brilliance. Of course, grain, sharpness and contrast remain excellent. KODAK GOLD 100 ISO 100/21° Grain: PGI 45 RP: Not stated ID: GA The latest version of Kodak's extremely popular 100-speed consumer-oriented color-print film, Gold 100 features a raw spectral sensitizing dye that enables the film to see colors "more like the human eye sees them." Other technological advances improve color saturation and density, grain and keeping qualities. The Kodak Gold consumer films are especially colorful. New packaging identifies the each film's strong point—for Gold 100, it's Bright Sun. KODAK ROYAL GOLD 100 ISO 100/21° Grain: PGI 28 RP: Not stated ID: RA About to be discontinued but still on dealers' shelves, Royal Gold 100 features extremely fine grain and great sharpness for its speed, and accurate color reproduction. Flesh tones are excellent. Royal Gold premium consumer films are meant for those "special moments" that mean so much. Royal Gold films join Elite chrome and Kodachrome in Kodak's Select Series of high-performance films. KODAK PROF. SUPRA 100 ISO 100/21° Grain: PGI 28 RP: Not stated ID: PJ100 Supra 100 is Ektapress PJ100 with a new name (the other films in the Supra line—Supra 400 and Supra 800—are completely new emulsions). It provides fine image quality, wide exposure latitude and accurate colors. Designed for photojournalists, the Supra films do not require refrigerated storage as most pro color films do, and they handle a wide variety of lighting conditions well. Supra 100's sharpness is rated "extremely high" by Kodak.