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Kodak Professional DCS Pro SLR/c

The Editors, September, 2004

Photos by Ron Leach

Almost two years ago, Kodak introduced the highest-resolution digital SLR, the 14-megapixel (13.5 image megapixels) DCS Pro 14n. Recently, the company upgraded that Nikon-lens model to the DCS Pro SLR/n, and even more recently, introduced a Canon EOS-lens version, the subject of this report: the DCS Pro SLR/c. The Pro SLR/n and Pro SLR/c use the same improved Kodak-designed CMOS image sensor and firmware, but different bodies. The sensor is a full-frame (24x36mm) unit, so there’s no “telephoto” factor: lenses provide the same field of view on the Kodak camera as on 35mm film SLRs—great for wide-angle fans.



Fourteen-megapixel resolution is very impressive, but it’s just one reason why the new camera’s images are incredibly sharp. The Pro SLR/c’s image sensor is also free of such image-softening items as an anti-alias “blur” filter and microlenses. Kodak also uses an infrared-absorbing sensor cover glass rather than the usual dichroic infrared-reflecting glass, thus eliminating image-quality-reducing reflections.

Camera Features
The DCS Pro SLR/c offers three metering modes (easily selected by pressing the metering-mode button and rotating the C dial surrounding the shutter button until the desired icon appears on the top LCD panel): 8-segment, center-area and average. As is usually the case with SLR cameras, we found the multi-segment metering to be the best choice for general shooting, with center-area useful for metering specific portions of a subject or scene.

There are four exposure modes, chosen by rotating the mode selector to the desired letter: P (shiftable program AE; rotate the C dial to shift to a desired shutter speed or aperture), S (shutter-priority AE), A (aperture-priority AE), and M (metered manual). Shutter speeds are set by rotating the S (shutter-speed) dial, apertures by rotating the C (command) dial. The AEL button near the right thumb locks the exposure in the auto modes, and you can set ±3.0 stops of exposure compensation by pressing the exposure-compensation button to the right of the AEL button, and rotating the C dial until the desired amount appears on the top LCD panel. Automatic exposure bracketing (three shots, in 0.3–3.0-stop increments) is available by rotating the D dial to the left of the finder to AB, then selecting the desired bracket increment with the C dial.



Both single-shot and continuous autofocusing modes are provided, selected by pressing the AF button and rotating the C dial until S or C appears on the top LCD panel. There are five AF zones, indicated by brackets in the viewfinder: top, bottom, left, right and center. You can select any of the zones by pressing the exposure-compensation/AF-zone button twice in quick succession and rotating the C dial until the desired zone is illuminated in the finder (when all five zones are illuminated, the camera will automatically select the one covering the closest subject). According to the specifications, the AF system operates in light levels down to EV –1, but performance slows considerably in dim light. Of course, you can always focus manually, by moving the AF/M switch on the lens to M and rotating the focusing ring until the image appears sharp in the finder.

Shutter speeds range from 30 seconds to 1¼6000, electronically controlled via a vertical-travel metal focal-plane shutter. There’s a Bulb setting for longer exposures. For exposure times longer than 1¼2 second, Kodak recommends using the Long noise-reduction setting; for exposure times longer than 2 seconds, use the Longer noise-reduction setting. The unique noise-reduction system is quite effective, and long-exposure image quality is very good.

There are two drive modes, easily selected by rotating the D dial to the desired icon: a single rectangle for single-shot advance, and overlapping rectangles for continuous advance (1.7 fps). The D dial also contains icons for 2-second-delay and 10-second-delay self-timer, and mirror pre-lock (handy for high-magnification shooting, where vibration as the mirror flips up out of the light path could adversely affect sharpness). The LCD monitor menus provide access to the camera’s intervalometer function, which permits a desired number of shots to be made automatically at a selected interval.

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