Color & Light
Meeting Photo Challenges
Creative Image Processing
Nature & Outdoor
Creating Better Photographics
Night & Low Light Photography
Light & Exposure
Close-Up & Macro
Digital Black & White
Color & Design
Choosing & Using Lenses
Digital Photography Equipment
Colors Of Night; Hidden Details And Moods:
In the past when we shot film, fluorescent lights and mercury vapor fixtures turned blue/green on film. The shot I took in Burma (#8) shows this. Digital technology has solved that issue, and now this kind of lighting is recorded as white light with no color bias.
In most latitudes, the amount of time you have to shoot during twilight is limited. As you travel closer to the Equator, the shorter this time becomes. In south Florida, for example, twilight photography may last 15 minutes, while in the summer in Alaska it could last for three hours. Once twilight passes, the rest of the time you’re taking pictures will be with a black sky, and this offers a stark contrast that in many instances is extremely effective.
Note that the moon has no detail—that it’s entirely overexposed. The only way to get lunar detail in a picture with a much darker earth-bound foreground is to take two exposures. You shoot the moon with a daylight exposure (1⁄250 at f/8 with 100 ISO on Manual Exposure mode) and then you expose correctly for the foreground. You must then combine these two shots in Photoshop, and then you have the best of both worlds.
Photographing streaks of traffic is an old technique, and it produces a lot of cool images. A variation on this theme is to shoot trucks or buses that go by close to the camera position. They have lights at the top edge of the vehicles, and those streaks of light and color mix with the normal traffic lights to add complexity to the abstracts you’ll get. I used this technique on Lindau Island at Lake Constance, Germany. A ten second exposure captured a bus going through the narrow streets of the old village (#14).
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