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Duotone, Tritone & Quadtone Portraits

Text and Photos by Jim Zuckerman, August, 2005

The art of toning photographs is almost as old as photography itself. In the darkroom, a toner replaces the black in black-and-white prints. The colors that are available include sepia (brown), selenium (purple-brown), and a handful of others. This technique can also be accomplished in Photoshop, with an endless number of color tones—quickly, easily, and without toxic chemicals.

Converting to B/W
The procedure in Photoshop is simple. If you begin with a color image, it must be converted to black-and-white by discarding the color information. This is done with Image > Mode > Grayscale. When asked if you want to discard the color information, click OK. Next, go to Image > Mode > Duotone, and you are now ready to tone the black-and-white image.

Selecting the Tone
In the dialog box that opens, use the submenu at the upper left corner to create a duotone, tritone, or quadtone. This picture is a duotone, and you can see (photo: SC-162) that the tones come from black and red. You can choose the color tone by simply clicking in the right hand box next to ‘Ink 2.’ This opens the Pantone color chart, which I suggest you bypass by choosing the button in the dialog box that says ‘Picker.’ This opens the familiar Photoshop color picker, and it is here than you will select the tone for your portrait.

Choosing the Color
Any color tone you can imagine is available, unlike the limited number of toners available in the darkroom. Here, I produced a duotone of blue and black. Note that the bright blue tone I chose (photo SC-163) is different than the dark blue coloration you see in this portrait. This is because the blue mixed with black produces the deep, rich blue-black image.

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